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CINEMATIC BUILD & REFLECTION
PERSPECTIVE AND STRUCTURAL
FOR PROSPECTIVE AUDIENCES AND FILM INDUSTRY PROFESSIONALS
IN REVIEW FOR PUBLICATION
Eyes Wide Shut
Treatise and Production Brief
Directed by Stanley Kubrick
Set Design oblique esque vintage time latent DESIGN
The Sets in Eyes Wide Shut Are imagined spaces not STRUCTURE AND BUILD OF A FRAME. Director Stanley Kubrick uses ILLUSTRATED light – ED – Builder term for Carp. Built with wood. The street Heavy- Fog Rain Humidifier Water VAPOR less 20twenty temp based BUILD. The actors had to walk at a curved Block making the Film uneasy in its steady SHOTS.
DISCLAIMER
The sets were unsturdy and it is visible on the Film – – At a narrow angle
Movie Magic
The time and period and place and FEEL of the Aperture Lens- Hand- Held. This is Standard Quality Filmmaking though lacking real city Blocks and rising Steam and Stands for Newspapers – – S. Kubrick’s imagined space for a City called New York
Movie
Rated R for adults – – The modern Rating STNRD for Audiences has Filters – – But not for plot and sub land grant pilfered INTELLECTUAL ARCHITECTURE the estate home PROPER LND GRNT MGMT did not meet AND COULD HAVE been ILLUSTRATED CASTLE REDACTED TO
FALLEN ground
for RECLAMATION
Architected Design
Adequate Filming space and BIG light lgt– Plain Speak Englis.H for a Graveyard- Long- Ago WAS THE FEEL OF THE FILM WITH APERTURE unbeknownst to the CREW and perhaps left to the script and notations from Previous Construction- Minor architect improvements- Done by Lower Houses – – hses of rubble – – Called Bad Firms for design- Movie Magic captures through the Film and the EERIE Grain Quality left by dust and VAPOR IN THE
CAPTURED
soundsless
ECHO
The sounds of something dropping make a HALL
ECHO
BUILD AND STRUCTURE MAGAZINE
CIRCA 2007